Mulatu Astatke & Black Jesus Experience "To Know Without Knowing" LP

$25.99
UPC:
4260130549350

“Truly uplifting” MOJO
“The legendary Mulatu Astatke blends his Ethio-jazz with the Melbourne-based group Black Jesus Experience's grooves on the new 9-track album, To Know Without Knowing” OKAY AFRICA
“The godfather of Ethio-jazz.” VINYL FACTORY
"The pioneer of ethio-jazz finds the Melbourne collective on the album "To Know Without Knowing" and immerses Ethiopian pentatonic music in a hypnotic funk whirlwind of sophisticated polyrhythms" FIP RADIO
"A cultural and intercontinental mix between Africa and Oceania under ethio-jazz influences" PAN AFRICAN
"A cultural and intercontinental mix between Africa and Oceania under ethio-jazz influences" FRANCE MUSIQUE RADIO

 

Mulatu was written by Mulatu, as he says, for himself. This arrangement features Mulatu on his signature instrument the vibraphone and flugelhornist Ian Dixon. Inspired lyrics from Elf Transporter pay respect to the traditional owners of Black Jesus Experience’s hometown.

Ambassa Lemdi is an arrangement combining an original song taught to Enushu by her Grandmother with a traditional Ethiopian song. It tells of a mother singing for her daughter’s wedding, welcoming the groom and the joy of uniting their families.

Kulun Mankwaleshi is our arrangement of a traditional Ethiopian wedding song in the uniquely Ethiopian anchi-hoye scale. Both polyrhythmic and polymetric sophistication provide the hypnotic foundation for this beautiful melody. Friends and family join the party on backing vocals climaxing with Peter Harper’s mesmeric saxophone solo.

Living On Stolen Land is dedicated to the First Nations people of Australia and acknowledges the pain and injustice of their not being recognized as the traditional owners of Australia. This track features guitarist Zac Lister and very special guest Vida Sunshyne. Its moody 6/8 vamp in D is a gateway to channeling the spirits of the land.

To Know Without Knowing is a suite in two contrasting movements, both using the same Ethiopian tezita minor scale over an unrelated pedal tone in the bass. It is conceived from, and is a vehicle to, a place beyond thought.

Lijay originated from a simple reggae inspired jam. Lij means child in Amharic. Enushu sings of her child being the realization of her dream, and her future. Monk replies with a child’s ode to his mother.

Blue Light was written for our dear friend Jeannie, for her journey from this life to the next. Originally written in traditional ballad form, this arrangement morphs to speak of the past, present and future.

Mascaram Setaba is an Ethio classic that showcases Mulatu’s study of the familial links between Ethiopian and Latin music. Mascaram Setaba means ‘when September comes’. September being the New Year in Ethiopia this is a celebration of rebirth and new growth. This new arrangement puts the spotlight on legendary jazz pianist Bob Sedergreen.

A Chance To Give is a 16 bar blues inspired by the joy of giving, originally conceived while street performing. It features Mulatu on vibes, Peter Harper on sax, MC Elf Transporter, and Robbie Belchamber on guitar.

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